The father doesn't come back from the war and the son, who's got the scar on his neck, it almost goes by in that quick dinner party scene. I think so much of her story is rooted in her history. Did you ask Channing about the backstory for Amanda and what got her to this place?ĭavidtz: I asked a lot of questions at the time. And that's the love that you see on camera between these two so it was it was actually kind of nice.Īmanda says that sometimes "murder is mercy" which is a chilling point of view that she acts upon. And the only thing that makes them feel good is each other. It's not that we have to make you believe that they're in love, or they're in a relationship, but you get to see that they're up against something that neither of them are cut out for. It was nice to have that and that's what you see on camera. We get to lock eyes and finally have a moment of warmth and feel whole again. We get to catch our breath across from each other. It was almost beautiful because we were able to do these really intense, high-energy, crazy, bizarre scenes, but we know that our characters were uncomfortable in these moments. Usher: They were just in a very intense state of desperation and falling in love with the innocence within each other. Jessie, talk about tracking the gentle blossoming between Devon and Nora in essentially two scenes.
There was a moment that I saw really true fear in the eyes of Jessie and I'm like, "I think I'm right there!" But Michael allowed me to push and asked me to push. Who do you choose, if not your family? And then what does it mean in the times of the apocalypse? It's basically ganging up on one person and the answer is death! It was so intense. And I wasn't sure how far I should go. And then because of the situation and high stakes, then she has to make a decision and this is her loyalty that is being put at stake. I was drawn by her caregiver manners, and the pureness that she could reflect on Devon and see themselves in each other. Thank you for that question, because I was wondering the same thing when I read the script. Loan Chabanol: We actually started with some of the end scenes. How did you track that progression assuming you didn't get to shoot the episode in order of events? Loan, Nora has quite the arc from kind nurturer to murderer in the end. To even be considered to play a character as complex as this was a joy. There's a love aspect to it too, so just so much to play around with. Now I'm in this world where I'm playing a character who is amongst the elements that are totally different than anything I've ever done. I talked to and and I heard the passion spewing out of them. It was nice to do something fresh and new.
Usher: It was a little bit of both.The demeanor that he has and just who he is as a person is completely different than A-Train. Was playing him essentially a palette cleanser for you or did you just want to be in a Walking Dead episode? Starting with Jessie, Devon is a character entirely unlike A-Train in The Boys.
SYFY WIRE recently got on a Zoom with all three actors to find out what it was like shooting the intense episode and what ended up being their favorite moments getting to play in The Walking Dead universe sandbox. There are twists and turns galore inside the 45-minute episode with a bleak ending that could be straight out of a Shirley Jackson novella. Right next to him are actresses Embeth Davidtz (Amanda) and Loan Chabanol (Nora) who initially welcome Devon into their Montreal suburban enclave but then accuse him of murder. Usher (A-Train in The Boys) plays that man, Devon, who comes to remember his circumstances and the danger that he's in as the episode unfolds. This week's installment, "Devon," reveals the non-linear story of a man who wakes up in a forest, injured and shackled to a walker body with no memory of how he got there.
STAR WARS UNIVERSE SANDBOX 2 DOWNLOAD SERIES
The Tales of the Walking Dead anthology series continues to give fans of the world glimpses into the stories of other survivors around America after the rise of the titular Walking Dead.
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